(En) Step 3: Getting Started - Behringer Edge Manual De Usuario

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EDGE
EDGE Getting Started

(EN) Step 3: Getting Started

OVERVIEW
This 'Getting Started' guide will help you set up the EDGE and
briefly introduce its capabilities.
CONNECTION
To connect the EDGE to your system, please consult the
connection guide earlier in this document.
SOFTWARE SETUP
The EDGE is a USB Class Compliant MIDI device, and so no driver
installation is required. The EDGE does not require any additional
drivers to work with Windows and MacOS.
HARDWARE SETUP
Make all the connections in your system. Keep the EDGE power
turned off when making any connections.
Ensure your sound system is turned down.
Turn on the EDGE before turning on any power amplifiers and
turn it off last. This will help prevent any turn on or turn off
"pops or thumps" in your speakers.
WARM UP TIME
We recommend leaving 15 minutes or more time for the
EDGE to warm up before recording or live performance.
(Longer if it has been brought in from the cold). This will allow
the precision analog circuits time to reach their normal operating
temperature and tuned performance.
OCILLATOR (VCO) SECTION
The EDGE has two main voltage controlled oscillator (VCO).
The VCO waveforms can be selected from pulse or triangle.
The frequency can be adjusted up or down over ten octaves and
allow fine tuning to other instruments.
The VCO may be modulated in frequency. The source of the
modulation can either be the envelope as detailed below, or vi the
OSC 1&2 CV input in the patch bay.
The amount or depth of VCO envelope modulation can be adjusted
using the ENVELOPE or EG DECAY (VCO 1&2) control.
Use the LEVEL control to adjust the mix between the internal VCO.
The internal noise generator can be added by urning the NOISE
/ EXT CW. If an external input signal is present at the EXT AUDIO
input, then this will take the place of the noise in the mix.
FILTER (VCF) SECTION
Play with the cutoff frequency, and resonance controls, and listen
to their effects on the sound.
The classic 24 dB / octave high pass and low pass filters allow a
great deal of control over the sounds created by EDGE.
The high-pass filter reduces the level of signals that are below
the cutoff frequency. It effectively reduces the level of the
fundamental, and lower order harmonics.
The low-pass filter reduces the level of signals that are
above the cutoff frequency. It reduces the levels of the
higher-order harmonics.
The resonance control gives an enhancement to the signals at the
crossover frequency.
The amount of VCF modulation can be varied with the NOISE / VCF
MOD control. This will add noise if no audio is preset in the EXT
AUDIO input in patch bay.
The VCF ENVELOPE is dedicated to modulating the Cutoff
Frequency of the Filter. The Decay time of this envelope is set
using the VCF DECAY control. This value may also be affected by
the Sequencer 8 VELOCITY controls. The 8 levels are connected to
the Velocity inputs of the Envelope, providing an extra source of
control to both the amount and decay time of the Filter envelope.
All these features, in addition to using the patch bay, allows for a
great deal of flexibility in sound creation.
PATCH BAY SECTION
This section allows you the versatility to create many different
sounds, with an endless variety of options and configurations.
Below are 3 patch ideas to try:
OSC 1 Out to OSC 2 CV IN for some interesting modulation.
VELOCITY OUT to 1-2FM AMT. This now adds FM tones at varying
amounts using the velocity sequencer.
PITCH OUT to VCA DECAY IN. This adds variation into the decay
controlled by the sequencer PITCH levels.
Caution: Do not overload the 3.5 mm inputs. They can only accept
the correct level of voltages as shown in the specification tables.
The 3.5 mm outputs should only be connected to inputs capable of
receiving the output voltages. Failure to follow these instructions
may damage the EDGE or external units.
FIRST SOUNDS
The following steps will help you start making sounds from your
new synthesizer once connected:
Turn up the volume control.
Set the clock to INT.
Set all controls to the default patch levels in the diagram.
Press PLAY / STOP.
You should now hear a repeating pattern.
FIRMWARE UPDATE
Please check the behringer.com website regularly for any updates
to the Behringer SYNTHTRIBE app.
The app looks for the latest firmware file which can then be
downloaded and used to update the EDGE.
EDGE SYNTHTRIBE
The SYNTHTRIBE application allows you to select the MIDI
channel number and to set and adjust various parameters
of the EDGE to suit your preferences. Connect the EDGE to your
computer via USB and run the application (PC or MacOS).
Check our website regularly for any updates to SYNTHTRIBE or
EDGE documentation.
Typical Synthtribe image:
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Quick Start Guide